WINDSTOP CAM BALKON – ВЗГЛЯД НА МИР БЕЗ ПРЕГРАД

В Баку испокон веков принято и модно застеклять балконы, веранды. Об этом свидетельсвуют шушебенды архитектурных домов. Но в наше время, время технической революции эта система стала более совершенной и эстетичной. Новая система остекления дает возможность открывать остекление полностью, а эстетичность системы дает возможность не портить фасад архитектурных домов и прекрасно сочетается со всякой архитектурой, будь это старинный особняк или ультрасовременное строение.

WINDSTOP CAM BALKON – это динамично развивающаяся компания, стала пионером в продвижении на азербайджанский рынок. этой современной технологии XXI века и привезла эту систему остекления в Баку впервые в 2007 году.

Кроме этого, для уменьшения себестоимости, которая достаточно высока, мы приняли решение монтировать части системы в Баку. Для этого сотрудники нашей компании, которые заняты монтажом, прошли многоступенчатую подготовку в Турции.

Компания WINDSTOP CAM BALKON провела большую рекламную компанию на телевидении и в Интернете в различных изданиях начиная с 2007 года для того, чтобы наглядно показать, как эта система работает и познакомить потребителей с этой новой продукцией. Компания WINDSTOP CAM BALKON активный участник строительных выставок проходящих в Баку. И эта рекламная компания принесла замечательные плоды.

Сейчас большинство уже знают этот новый товар, и мы с удовольствие расскажем вам при встрече о преимуществах именно той системы, которую мы используем.

Изучив все технические характеристики немецких, финских и турецких производителей систем CAM BALKON (безрамного остекления), сравнив их достоинства и недостатки, сотрудники WINDSTOP CAM BALKON пришли к выводу, что наиболее оптимальным вариантом для Азербайджана являются именно турецкие компании, так как они предлагают продукцию, приемлемую и по цене, и по качеству, которое ни в чем не уступает лучшим европейским образцам. Потом, уже проанализировав продукцию турецких производителей, мы остановили свой выбор на самой лучшей из них, предлагающей полностью открывающиеся системы безрамного остекления (CAM BALСON).

Но перед тем как предлагать ее на азербайджанском рынке, необходимо было убедиться на практике в ее прочности. Поэтому для начала мы провели тестовое остекление на экспериментальных балконах. И эта система с честью выдержала непростое испытание зимним бакинским ветром.

Хотим обратить ваше внимание на то, что, несмотря на кажущуюся простоту системы безрамного остеклкения, ввиду того, что этот механизм не является неподвижным и жизнь ее начинается после установки, вам необходимо строить свои отношения с такой компанией, которая предлагает наиболее надежную систему и в случае необходимости окажет незамедлительное квалифицированное обслуживание.

Одной из отличительных особенностей предлагаемой нами системы безрамного остекления является система со встроенными шторами. В закрытом состоянии штора полностью располагается внутри профиля и не видна со стороны. Системы безрамного остекления (CAM BALКON) раздвигаются вместе со шторами. В жаркие полуденные часы, под лучами палящего солнца ваш балкон или веранда останутся прохладными и располагающими к отдыху.

На систему выдается гарантия.
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by Danny King


I set out on a mild, but damp November Friday-night to attend a rare live Synth Pop event within my home city, and one that would feature two of the cities more notable acts, and at that acts of contrasting experience in Eden and providing the support Hayfield, while Eden where using the event itself to both promote and launch the recent release of their digital-single Subhuman from their forthcoming new-album Electric, all do, its a shame that the few posters that where largely positioned on the wall at the back of the stage didn ’t state that Subhuman was in-fact their new-single combined with the absence of any details related to the release of the actual single itself, while the ‘bright-new-things’ of the Dublin Synth Pop scene Hayfield where to play just their third gig since their first back in July this-year at The Button Factory while once again supporting Eden for another single launch-night for their If I Was A Pet Shop Boy digital-single, while the gig itself was taking place within the somewhat confined and dilapidated surroundings of one of Dublin’s more familiar and historic mid-sized venues Whelan’s, and doing so in their Upstairs venue while the gig itself was also surprisingly advertised within a couple of Irish newspapers on the Sunday prior to the gig itself, including both Ireland on Sunday and the Sunday World, all do, I was disappointed with, and above all questioned the clearly misleading Retro Techno description of Eden’s music within the advert itself when the flyers for their The Button Factory gig back in July clearly cited the band itself as being Synthpop, even if someone had somewhat ironically, and I’m sure unintentionally so spelt the word itself Synthpop wrong on those very-flyers.



On the night itself, and first to take to the stage and doing so after a delayed start where Hayfield, doing so just after nine while opening their set in front of an already sizable number with for me what I would assume is a new-track in Dance With Wolfs which was followed by another unfamiliar track in Waiting For Light before stepping back to one of their earlier tracks with for me the more familiar sounding Compensate For Love which led into another new-track in the very-promising Try which has something of a slower and ballad like feel to it as both Discover and Here And Beyond followed into Easier Said Than Done which brilliantly, and least not somewhat unexpectedly so gradually led into a perfect cover-version of the early-Depeche Mode classic Just Can’t Get Enough, much to the surprise and appreciation of those present to complete an excellent, if not all too short thirty-minute set that once again showcased the promise and potential of this young Dublin-duo with a strong, solid, impressive and increasingly confident performance at that with the new-material to match for a band that are very-much one to watch on the Synth Pop scene at the moment.



Somewhat ironically Eden also endured a delayed start, disbelievingly so due to the mere absence of the sound engineer which resulted in Eden front-man Mark Power leaving the stage itself in-search of the said engineer before proceedings eventually got under way with Eden opening their seventy-minute set around 9.50 with the addition of the backing-vocalists Sarah Guy and Tia Peyton and the title-track to their new, second and forthcoming album Electric which will see the light of day in the New Year, this was followed with another track off the album itself in their new-single Subhuman which neatly combined with the early-nineties Adamski dance-classic Killer much to the apprentice of those present while being followed with another Electric track in Murder On The Mind and onto the first of the bands three cover-versions on the night itself with their version on Sex On Fire from Dublin band King’s Of Leon for another track that somewhat expectantly went down well with those present while the recent, and excellent single If I Was A Pet Shop Boy led into two further tracks from the new-album Electric in Done Without This and Through The Years as the second of the cover-versions follows with The Human League’s Don’t You Want Me for another track that’s warmly received, all do for me, and despite being largely excellent I also felt that musically it was somewhat too rigid and repetitive as Eden then stepped back to their debut-album Desolate Shores, or as keyboardist Ian Henderson called it Desperate Whores with two-tracks in You Will Never Know and Running On Empty complete with the guest appearance of Stephen Fagan on acoustic-guitar, Fagan is an Uncle of Mark Power as Fortune Lost from Electric leads into the third, and final cover-version of the night with the title-track to a-ha’s second-album Scoundrel Days, the track itself being played live for the first-band by Eden themselves for a strong and solid version that remains faithful to the original as this leads into their new, and excellent single Subhuman and the final-track itself in another of the very-promising new-tracks from their forthcoming new-album Going Going Gone to complete their excellent set just after eleven in front of a more than pleased and appreciative audience who numbered 180 on the night itself which by all means is a fantastic turn-out on a Friday-night for a live Synth Pop event in a city like Dublin.



This was an excellent night for both acts with the performances and sets to match combined with the exposure it gives to Synth Pop itself within this city, all do, and without being intentionally critical and negative, this was in no uncertain terms a poor and unsuitable venue with a terrible sound too match, and one that was poorly mixed on the night itself that would leave you with the distinct impression that live venues within this country neither have the know-how nor experience to handled the sound for a gig by an Electronic band on what was largely the only disappointment on the night.
© DK

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