The Electro Industrial complex of Dirk Steyer and Mike Koenigsberger has been in the background for the last three years, since their previous release ‘More than Machinery’ which featured dance hits such as ‘Humanity’ and ‘Acsy Girl’; now they bring their electro beast back into the limelight. The group’s latest work sees more directional advancement in showing a cleaner side of track arrangement that goes forth in an improved way.

The first three tracks have been primed around the whole timeline of Accessory, tones which have proved more versatile and successful for the group’s trademark resonance. ‘The Mouth’ gives any listener a two minute introduction into what Accessory stands for… German, Electro, Body, Distortion. Starting off with a primary medium of Bpm gets the listener entwined with a feeling of what’s to come. Instantly you are then forwarded into the field with ‘Voran’ that leaves a smile to begin the dance off.

‘Keen Girl’ leaves the essence of Accessory stained in the back, while the innocence of a woman’s voice is entranced with the liquid air of our male vocalist. The artist try’s to achieve the swollen blend of electronic despair sliced into an eventful evening. ‘Shout it out’ brings the listener back up after taking a few jager bombs it is back to the dance floor to finish off energising the cocktail in body pulses. The remainder of the track list continues in a similar trend with every three songs continuing in a similar beat sequence.

The album shows that the group is still alive and in constant creation of evolving the tracks they compose since previous releases, though being able to still leave their known Accessory trade mark on the dancer’s destroyed feet is quite hard to pull off, showing that this artist is still moving Vorwärts.